Saturday, August 22, 2020

AP Spanish Literature and Culture LITERARY MOVEMENTS Essay Example

AP Spanish Literature and Culture LITERARY MOVEMENTS Essay Example AP Spanish Literature and Culture LITERARY MOVEMENTS Paper AP Spanish Literature and Culture LITERARY MOVEMENTS Paper what's more, women's activist writing vanguardismo cutting edge developments of abstract experimentation; incorporates the surrealist development (worried about dreams and mind flights); Pablo Neruda, Dragã ºn, Lorca teatro del absurdo with the conviction that human presence has no importance or reason, these works are purposefully silly, demonstrating man in an irrational, immeasurable world yet as yet conveying a meaningfull message; discourse incorporates clichã ©s and word games; Dragã ºn Generaciã ³n del 98 a gathering of authors, artists, writers, and rationalists dynamic in Spain at the hour of the Spanish-American War; analysis, standards, innovativeness; included Miguel de Unamuno (strict topics), Antonio Machado (individual and widespread subjects) costumbrismo a scholarly translation of neighborhood regular daily existence and customs (nineteenth century); sentimental enthusiasm for excessive articulation + practical, exact spotlight on a specific time and spot; went before (and prompted) both Romanticism and Realism barroco a seventeenth century social and masterful development that was the advancement of thoughts and topics figured during the Spanish Renaissance; included culteranismo and conceptismo; Gã ³ngora and Quevedo in Spain + Sor Juana in Mexico romanticismo because of neoclassicism, this development concentrated on the magnificence of creative mind, the sporadic idea of human soul, and the common world; Rima LIII (Bã ©cquer), En una tempestad (Heredia) Siglo de Oro period from 1942 (Christopher Columbus, end of Reconquista) to 1659 described by a thriving in Spanish expressions and writing that included romantecismo and barroco; Don Quijote, Garcilaso, Gã ³ngora, Quevedo neoclasicismo development in which journalists thought back to figures, for example, Garcilaso and Quevedo and were enlivened by old style beliefs; later provoked a negative response from sentimentalists, who were themselves censured by pragmatists

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